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"Milady Standard Cosmetology," Vocabulary from Part 3

Congratulations for taking the first step toward having a beautiful career! To help you and your future clients look and feel your best, learn this list that focuses on hair care.

Here are links to our lists for the textbook: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6
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Full list of words from this list:

  1. element
    an abstract part of something
    To begin to understand the creative process involved in hairstyling, it is critical to learn the five basic elements of three-dimensional design. These elements are line, form, space, design texture, and color.
    When a hairstyle is harmonious it has the following elements:
    •A form (also called volume) with interesting lines
    •A pleasing color or combination of colors and textures
    •A balance and rhythm (recurrent pattern of movement) that together strengthen the design
  2. horizontal
    parallel to or in the plane of the horizon or a base line
    Horizontal, vertical, diagonal, and curved lines can all interrelate and create illusions.
    Horizontal lines create width in hair design. Vertical lines create length and height in hair design. They make a hairstyle appear longer and narrower as the eye follows the lines up and down. Diagonal lines are positioned between horizontal and vertical lines. They are often used to emphasize or minimize facial features. Curved lines, lines moving in a circular or semi-circular direction, soften a design.
  3. parallel
    being everywhere equidistant and not intersecting
    Parallel lines are repeating lines in a hairstyle. The lines can be straight or curved. The repetition of lines creates more interest in the design. Crimping hair or crinkle-wave is an example of a style using curved, parallel lines.
    Single lines are used in the one-length hairstyle. These hairstyles are best for clients requiring the lowest maintenance when styling their hair.
  4. contrast
    put in opposition to show or emphasize differences
    Contrasting lines are horizontal and vertical lines that meet at a 90-degree angle. These lines create a hard edge. Contrasting lines in a design usually create distinct looks and work best for clients able to carry off a strong style.
    Directional lines are lines with a definite forward or backward movement. Transitional lines are usually curved lines that are used to blend and soften horizontal or vertical lines. These lines are used frequently when texturizing a haircut along with hair color placement and color blending.
  5. proportion
    harmonious arrangement or relation of parts within a whole
    The hair form should be in proportion to the shape of the head and face, the length and width of the neck, and the shoulder line.
    A general guide for classic proportion is that the hair should not be wider than the center of the shoulders, regardless of the body structure. Keep in mind that the best hairstyles are those that create harmony between the client’s height and weight.
  6. surround
    extend on all sides of simultaneously; encircle
    A hairstylist must keep every angle in mind—not only of the forms being created, but of the spaces surrounding the forms as well. The space may contain curls, curves, waves, straight hair, or any combination.
    We are more aware of the (positive) form than the (negative) spaces. In hair design, with every movement the relationship of the form and space changes.
  7. illusion
    an erroneous mental representation
    Design texture refers to the directional wave patterns or illusion of motion in the hair.
    All hair, whether straight, wavy, curly, or excessively curly has a unique directional pattern and its own movement. For example, straight hair reflects light better than other patterns; it also reflects the most light when it is cut to a single length. Wavy hair can be combed directionally to create horizontal lines. Curly hair is more coiled and often grows more compact together. Curly hair will reflect less light and can create a larger form than straight or wavy hair.
  8. symmetry
    balance among the parts of something
    To measure symmetry, divide the face into four equal parts. The lines cross at the central axis, the reference point for judging the balance of the hair design. You can then decide if the hairstyle looks pleasing to the eye and is in correct balance.
    Symmetrical balance occurs when both sides of the hairstyle are the same distance from the center, the same length, and have the same volume when viewed from the front. Asymmetrical balance is established when the two imaginary halves of a hairstyle have an equal visual weight, but are positioned unevenly. Opposite sides of the hairstyle are different lengths or have a different volume.
  9. emphasis
    special and significant stress by position or repetition
    The emphasis, also known as focus, in a design is what draws the eye first, before it travels to the rest of the design.
    Depending on placement, color can accent or de-emphasize a particular part of a style or client feature. Because the eye is drawn to the lightest color present, you can use a light color to draw a line in a hairstyle in the direction you want the eye to travel, as with highlights around the fringe or facial area. A single line of color, or a series of repeated lines of color, can create a bold, dramatic accent.
  10. silhouette
    an outline of a solid object as cast by its shadow
    Straight, fine hair. This combination usually hugs the head shape due to the lack of body or volume, and marginal elasticity. The silhouette is small and narrow.
    Wavy, fine hair can appear fuller when diffused with heat and the appropriate haircut and style. But wavy, coarse hair can produce a silhouette that is very voluminous if it is not shaped properly.
  11. coarse
    rough to the touch
    Straight, coarse hair. This hair is hard to curl and carries more volume than the previous two types. It casts a slightly wider silhouette and responds well to thermal styling with flat tools.
    Straight, medium hair offers more versatility in styling. It responds well to blow drying with various sized brushes and has a good amount of movement. Wavy, medium offers the most versatility in styling as it has the most uniformity of pattern.
  12. prominence
    something that bulges out or projects from its surroundings
    A client’s facial shape is determined by the position and prominence of the facial bones.
    There are seven basic facial shapes: oval, round, square, triangle (pear-shaped), oblong, diamond, and inverted triangle (heart-shaped).
  13. contour
    any spatial attributes, especially as defined by outline
    The contour and proportions of the oval face shape form the basis and ideals for evaluating and modifying all other facial types
    The oval face is about one and a half times longer than its width across the brow. The forehead is slightly wider than the chin. It visibly has no areas that dominate the others. A person with an oval face can wear any hairstyle unless there are other considerations, such as eyeglasses, length and shape of nose, or profile.
  14. profile
    an outline of something, especially a face from the side
    The profile is the outline of the face, head, or figure seen in a side view. There are three basic profiles: straight, convex, and concave.
    The straight profile is considered the ideal; it is neither convex (curving outward) nor concave (curving inward). Generally, all hairstyles are flattering to the straight profile. The convex profile has a receding forehead and chin. It calls for an arrangement of curls or bangs over the forehead. The concave profile has a prominent forehead and chin, with other features receding inward. It should be accommodated by softly styling the hair at the nape with an upward movement.
  15. highlight
    move into the foreground to make more visible or prominent
    There are four other partings that can be used to highlight facial features:
    •Center partings are classic. They are used for an oval face, but also give an oval illusion to wide and round faces.
    •Side partings are used to direct hair across the top of the head. They help develop height on top and make thin hair appear fuller.
    •Diagonal back partings are used to create the illusion of width or height in a hairstyle.
    •Zigzag partings create a dramatic effect.
    The bang area, also known as fringe area, is the triangular section that begins at the apex, or high point of the head, and ends at the front corners. The bang is parted in three basic ways:
    •A triangular parting is the basic parting for bang sections and gives a symmetrical balance to the features on the face.
    •A diagonal parting gives height to a round or square face and width to a long, thin face.
    •A curved part is used for a receding hairline or high forehead.
  16. massage
    kneading and rubbing parts of the body
    Often called simply “the shampoo,” this first step of the service actually encompasses three different processes: scalp care and massage, shampooing, and conditioning.
    The massage can provide beneficial qualities such as increasing blood circulation and calming tenseness. Usually done after the hair has been cleansed, massage techniques are initiated along with the conditioning service. The conditioner is applied and the massage manipulations begin, allowing the conditioning product to penetrate more evenly.
  17. bristle
    a stiff fiber
    There are many brushes on the market; the most highly recommended hairbrushes are those made from natural bristles. Natural bristles have many tiny overlapping layers or scales, which clean and add luster to the hair. Hairbrushes with nylon bristles are shiny and smooth and are more suitable for hairstyling. Paddle brushes with rubber interior bristles and plastic vent brushes are also widely used especially when detangling wet hair.
  18. condition
    apply a softening substance to in order to make smooth
    Conditioning shampoo, also known as moisturizing shampoo, is designed to make the hair appear smooth and shiny and to improve the manageability of the hair. Protein and biotin are just two examples of conditioning agents that boost shampoos so that they can meet current grooming needs.
    Medicated shampoo contains special ingredients that are effective in reducing dandruff or relieving other scalp conditions. Clarifying shampoo contains an active agent that binds to metals and removes them from the hair, as well as an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. Dry shampoo, also known as powder shampoo, cleanses the hair without soap and water. The powder picks up dirt and oils as you brush or comb it through the hair.
  19. reference
    an indicator that orients you generally
    Reference points on the head mark where the surface of the head changes, such as the ears, jawline, occipital bone, or apex. These points are used to establish design lines.
    You will not necessarily use every reference point for every haircut, but it is important to know where they are. To find the occipital bone, simply feel the back of the skull or place a comb flat against the nape and find where the comb leaves the head. The location of the four corners (place two combs flat against the side and back, and then locate the back corner at the point where the two combs meet) signals a change in the shape of the head from flat to round and vice versa.
  20. ridge
    a long raised border or margin of a bone, tooth or membrane
    The crown is the area between the apex and the back of the parietal ridge.
    The apex is the highest point on the top of the head; it is easily located by placing a comb flat on top of the head. The parietal ridge (crest area) is found where the head starts to curve away from the comb. On many people, the crown is flat and is the site of cowlicks or whorls. Because of this, it is important to pay special attention to this area when haircutting.
  21. section
    one of the portions which together constitute a whole
    For control during haircutting, the hair is parted into working areas called sections.
    There are four types of sections used in haircutting: horseshoe (separates the head at the parietal ridge to below the crown), pivoting (also referred to as pie shape sections; rotates from a central point), profile (divides the head in two sections, a right and left profile, allowing subsectioning to take place), and radial (taken from ear to ear and divides the head from front to back starting behind the apex in the crown).
  22. elevation
    distance of something above a reference point
    Elevation, also known as projection or lifting, is the degree at which a subsection of hair is held, or elevated, from the head when cutting. Elevation creates graduation and layers, and is usually described in degrees.
    The most commonly used elevations are 45 and 90 degrees. The more you elevate the hair, the more graduation and layering you create. When the hair is elevated below 90 degrees, you are building weight. When you elevate the hair at 90 degrees or higher, you are removing weight, or layering the hair.
  23. guideline
    a rule that provides direction for appropriate behavior
    A guideline, also known as guide, is a subsection of hair that determines the length the hair will be cut. Guidelines are located either at the perimeter, the outer line, or the interior inner or internal line, of the cut. The guideline is usually the first section cut when creating a shape.
    A stationary guideline does not move. All other sections are combed to the stationary guideline and cut at the same angle and length. Stationary guidelines are used in blunt (one-length) haircuts or in haircuts that use overdirection to create a length or weight increase. A traveling guideline, also known as movable guideline, moves as the haircut progresses. Traveling guidelines are used when creating layered or graduated haircuts.
  24. graduated
    marked with or divided into degrees
    Overdirection is used mostly in graduated and layered haircuts and where you want to create a length increase in the design.
    Whereas elevation is simply the degree to which you lift a section away from the head, overdirection occurs when you comb the hair away from its natural falling position, rather than straight out from the head.
  25. shear
    cut or cut through with scissors
    Haircutting shears. These shears, also known as scissors, are mainly used to cut blunt or straight lines in hair.
    Texturizing shears (thinning, tapering, or notching shears) are used to remove bulk from the hair. Straight razors or feather blades are used when a softer effect on the ends of the hair is desired. Clippers are used when creating short haircuts, short tapers, fades, and flat tops. Trimmers (edgers) are used to remove excess or unwanted hair at the neckline and around the ears and to create crisp outlines.
  26. gauge
    measure precisely and against a standard
    It is important for a stylist to know how to gauge the hardness of the metal a shear is made from because this is how you will determine if the shear can hold a sharp edge for an extended period of time.
    The gauge is called the Rockwell hardness. Generally, a shear with a Rockwell hardness of at least 56 or 57 is ideal. A shear with a Rockwell hardness that is higher than 63 can be too hard and brittle to work with; the shear could even break if dropped.
  27. tension
    the action of stretching something tight
    Adjusting blade tension is an important task to make sure your shears are functioning correctly and to ensure that you get the best results from your shears. If the tension is too loose, it will allow your shears to fold the hair. If it is too tight, it will cause the shears to bind and cause unnecessary wear and user fatigue.
  28. alignment
    the spatial property possessed by things in a straight line
    Correct nerve and tendon alignment while cutting hair is crucial to having a healthy career as a professional cosmetologist. Correct finger position allows your finger to stay properly aligned, which not only gives you correct nerve and tendon alignment in your hand, but also reduces the likelihood of developing hand health issues caused by improperly fitted shears.
  29. blunt
    having a broad or rounded end
    The art of haircutting is made up of variations on four basic haircuts: blunt, graduated, layered, and long-layered.
    In a blunt haircut, all the hair comes to a single hanging level, forming a weight line. A graduated haircut is a slow or immediate build up of weight; this is caused by cutting the hair with tension, low to medium elevation, or overdirection. A layered haircut is an effect achieved by cutting the hair with elevation or overdirection. The long-layered haircut is cut at a 90-degree elevation and then overdirected to maintain length and weight at the perimeter.
  30. pliable
    capable of being shaped or bent or drawn out
    Finger-waving lotion also known as liquid gel, is a type of hair gel that makes the hair pliable enough to keep it in place during the finger-waving procedure.
    Finger waving is the process of shaping and directing the hair into an S pattern through the use of the fingers, combs, and finger-waving lotion.
  31. base
    a support or foundation
    Pin curls are made up of three principal parts: base, stem, and circle. The base is the stationary (non-moving) foundation of the curl, which is the area closest to the scalp; the panel of hair on which the pin curl is placed. The stem is the section of the pin curl between the base and first arc (turn) of the circle that gives the curl its direction and movement. The circle is the part of the curl that forms a complete circle and ultimately the wave.
    Pin curls serve as the basis for patterns, lines, waves, curls, and rolls that are used in a wide range of hairstyles. You can use them on all types of hair, including straight, permanent waved, or naturally curly hair. Pin curls work best when the hair is layered and smoothly wound. This style makes springy and long-lasting curls with good direction and definition.
  32. cascade
    rush down in big quantities
    Cascade curls, also known as stand-up curls, are used to create height in the hair design. They are fastened to the head in a standing position to allow the hair to flow upward and then downward.
    Rollers are used to create many of the same effects as stand-up pin curls. Because a roller holds the equivalent of two to four stand-up curls, the roller is a much faster way to set the hair. Also, wrapping around the roller with tension gives the hair a stronger and longer-lasting set.
  33. tease
    ruffle by combing the ends of hair towards the scalp
    Backcombing, also known as teasing, ratting, matting, or French lacing, involves combing small sections of hair from the ends toward the scalp, causing shorter hair to mat at the scalp and form a cushion or base.
    Backbrushing, also known as ruffing, is used to build a soft cushion or to mesh two or more curl patterns together for a uniform and smooth comb out. These techniques are used for styling updos or for adding a little height to a hairstyle after hot-roller setting or blowdrying.
  34. attachment
    a supplementary part or accessory
    The blowdryer's nozzle attachment, or concentrator, is a directional feature that creates a concentrated stream of air. The diffuser is an attachment that causes the air to flow more softly and helps to accentuate or keep textural definition.
    Blowdry styling is the technique of drying and styling damp hair in one operation and it has revolutionized the hairstyling world.
  35. product
    a commodity offered for sale
    Styling products can be thought of as liquid tools.
    Finishing or hair spray is used to hold the style when it is complete. Foam (mousse) is an airy, whipped product that builds moderate body and volume. Gels are thick preparations that come in a tube or bottle that create the strongest control for slicked or molded styles, and add texture definition when spread with the fingers. Pomade (wax) adds weight to the hair by causing strands to join together. Silicone (serum) adds gloss while creating textural definition.
  36. thermal
    relating to or associated with heat
    Thermal irons are implements made of quality steel that are used to curl dry hair. They provide an even heat that is completely controlled by the stylist.
    All thermal irons have four basic parts: (1) rod handle, (2) shell
    handle, (3) barrel or rod (round, solid prong), and (4) shell (the clamp that presses the hair against the barrel or rod). Flat irons have two hot plates with either straight or beveled edges.
  37. resistant
    impervious to being affected
    When properly done, hair pressing temporarily straightens extremely curly or resistant hair by means of a heated iron or comb.
    A pressing generally lasts until the hair is shampooed. Hair pressing also prepares the hair for additional services such as thermal curling and croquignole thermal curling. A good hair pressing leaves the hair in a natural and lustrous condition and it is not harmful to the hair.
  38. secure
    cause to be firmly attached
    An updo, also known as a specialty style, is a hairstyle with the hair arranged up and off the shoulders and secured with implements such as hairpins, bobby pins, and elastics.
    The ponytail is the foundation for a chignon, bun, and knot, among other designs.
  39. extension
    an addition to the length of something
    A wide variety of fibers are available for the purpose of extending hair. It is important to keep in mind that the fibers you use will largely determine how successful and durable the extension will be.
    Human hair is the gold standard for hair extensions. Kanekalon is a manufactured, synthetic fiber of excellent quality. Nylon or rayon synthetic is less expensive than many other synthetics and is available in varying qualities. Traditional yarn used to make sweaters and hats is now being used to adorn hair. Lin is a wool fiber that has a matte finish and comes only in black and brown. Yak hair is shaved and processed and used alone or blended with human hair.
  40. plait
    weave into a braided hairdo
    A visible braid is a three-strand braid that is created with an underhand technique. An underhand technique, also known as plaiting, is one in which the left section goes under the middle strand, then the right section goes under the middle strand.
    An invisible braid, also known as an inverted braid or French braid, is a three-strand braid that is produced with an overhand technique. In an overhand technique, the first side section goes over the middle one, then the other side section goes over the middle strand.
  41. strand
    a very slender natural or synthetic fiber
    The rope braid is created with two strands that are twisted around each other.
    The fishtail braid is a simple, two-strand braid in which hair is picked up from the sides and added to the strands as they are crossed over each other. The halo braids are two or three long, simple, inverted, thick cornrows created around the head; the braids are then wrapped around the head and pinned. Cornrows, also known as canerows, are narrow rows of visible braids that lie close to the scalp and are created with a three-strand, on-the-scalp braiding technique.
  42. intertwine
    spin, wind, or twist together
    Locks, also known as dreadlocks, are separate networks of curly, textured hair that have been intertwined and meshed together.
    Hair locking is achieved without the use of chemicals, with techniques such as double twisting, wrapping with cord, palm rolling, braiding, sisterlocks, or coiling and combing. The hair locks in several slow phases, which can take from six months to a year depending on the length, density, and coil pattern of the hair. But locks can also form in textured hair that is not combed or brushed out.
  43. innovation
    the creation of something in the mind
    There are many new innovations that make wigs more comfortable and practical than ever, like lace front wigs, which have an incredibly natural-looking hairline.
    There are two basic categories of wigs. Cap wigs are constructed with an elasticized, mesh-fiber base to which the hair is attached; they are made in several sizes and require special fittings. Capless wigs are machine-made from human or artificial hair. The hair is woven into wefts, which are long strips with a threaded edge. Rows of wefts are sewn to elastic strips in a circular pattern to fit the head shape. Capless wigs are ready-to-wear and less expensive.
  44. permanent
    waves in the hair made by applying heat and chemicals
    Chemical texture services are hair services that cause a chemical
    change within the hair’s natural wave and curl pattern. They include:
    Permanent waving. Adding wave or curl to the hair.
    •Relaxing. Removing curl or waves; leaving the hair smooth and straight.
    •Curl re-forming (soft curl permanents). Loosening overly curly hair; changing tightly curly or coiled hair into loose curls or waves.
    Permanent waving is a two-step process whereby the hair undergoes a physical change caused by wrapping the hair on perm rods; the hair then undergoes a chemical change caused by the application of permanent waving solution and neutralizer.
  45. neutralization
    when an acid and base interact with the formation of a salt
    In permanent waving, thio neutralization stops the action of the waving solution and rebuilds the hair into its new curly form. Neutralization performs two important functions:
    •Any waving solution that remains in the hair is deactivated (neutralized).
    •Disulfide bonds that were broken by the waving solution are rebuilt.
    It is advisable to do preliminary test curls to assess what the final curl pattern will look like. This is especially important if the hair appears damaged, dehydrated, color treated, or if there is any uncertainty about the results.
  46. saturation
    freedom from dilution with white and hence vivid in hue
    Level is the unit of measurement used to identify the lightness or darkness of a color. Level is the saturation, density, or concentration of color.
    In traditional color theory, when all three primary colors are present in equal proportions, the resulting color is black or dark muddy gray depending on the saturation of the pigment. It is helpful to think of hair color in terms of different combinations of primary colors. Natural brown, for example, has the primary colors in the following proportions: blue-B, red-RR, and yellow-YYY. White can be used to lighten a color. Black can be used to deepen a color.
  47. complementary
    of propositions that each is the negation of the other
    Complementary colors are primary and secondary colors positioned directly opposite each other on the color wheel. Complementary colors include blue and orange, red and green, and yellow and violet.
    Complementary colors neutralize each other. When formulating haircolor, you will find that it is often your goal to emphasize or distract from skin tones or eye color. You may also want to neutralize or refine unwanted tones in the hair. Understanding complementary colors will help you choose the correct tone to accomplish these goals.
  48. oxidize
    enter into a combination with oxygen
    All permanent haircolor products and lighteners contain both a developer, or oxidizing agent, and an alkalizing ingredient.
    Natural haircolors, also known as vegetable haircolors, such as henna, are colors obtained from the leaves or bark of plants. They do not lighten natural hair color, and the result tends to be weak. Metallic haircolors, also known as progressive haircolors, contain metal salts that change hair color gradually by buildup and exposure to air, creating a dull, metallic appearance.
  49. disperse
    cause to separate
    Lighteners are chemical compounds that lighten hair by dispersing, dissolving, and decolorizing the natural hair pigment.
    Colorists can choose from three forms of lighteners: oil, cream, and powder. Oil and cream are considered on-the-scalp lighteners that can be used directly on the scalp by mixing them with activators. Most powdered lighteners are stronger and faster, so they often cannot be used directly on the scalp.
  50. predisposition
    the state of being susceptible to a disease or condition
    A patch test, also known as predisposition test, is a test for identifying a possible allergy in a client.
    The U.S. Food, Drug, and Cosmetic Act requires that a patch test be given 24 to 48 hours prior to each application of an aniline haircolor. The color used for the patch test must be the same as the color that will be used for the haircolor service.
Created on Thu Nov 05 13:30:32 EST 2015 (updated Sun Nov 08 13:46:41 EST 2015)

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