Frankie sat there, oblivious to them all, the pastel warm between her fingers, thinking about the fact that Sam knew her name, thinking about the way his lower lip curled under his teeth to pronounce it, thinking about his lips and teeth and hair and bones and all the other truths of a body that seem so mundane when that body is yours, and so fascinating when that body belongs to someone else.
Frankie sat there, oblivious to them all, the pastel warm between her fingers, thinking about the fact that Sam knew her name, thinking about the way his lower lip curled under his teeth to pronounce it, thinking about his lips and teeth and hair and bones and all the other truths of a body that seem so mundane when that body is yours, and so fascinating when that body belongs to someone else.
Stella was an only child born to a silvery sylph of a woman even more beautiful than her own daughter and a man so handsome that both men and women would stop on the street to stare.
comfort offered to one who is disappointed or miserable
Stella’s father sat by the fire, drinking and staring at the portrait of his family, too beautiful for this life. And though his own beautiful daughter was hungry for food and for solace, though she brushed her own hair till it shone and dressed herself as nicely as she could, he gave all his attention to his bottle until he too was in the ground.
If you asked me, sticking your hands underneath a wet dress seemed far more lewd and far less effective an act than simply washing a naked body, but no one was asking me, a scandalous and shameless girl, not nearly dead enough.
estimate the nature, quality, ability or significance of
“What a pearl, our Pearl,” Frederick sang. He held his wineglass to the light, turned it, appraising. “She is a treasure, something you lock up in a box and only take out on holidays.”
“Charles Kent,” I repeated, conjuring up his slicked-back dishwater hair, the downturned mouth, overly pink lips in a pallid face, the petulance that emanated from him like musk.
“Charles Kent,” I repeated, conjuring up his slicked-back dishwater hair, the downturned mouth, overly pink lips in a pallid face, the petulance that emanated from him like musk.
She tried to find something to say, something to talk about, but she was distracted by the scant whiskers that darkened his chin, one small cut on his jaw.
And then there was the thought that wormed its way up out of the dark recesses of her brain like something out of a fresh grave: Your father doesn’t want you.
My father kept a small collection of books in his study, books I was not allowed to touch. Only British writers would do for my father’s shelves—Charles Dickens. Thackeray. Hardy. A smattering of women, too: Brontë, Austen.
My father didn’t read any of the books; he displayed the rows of embossed spines to impress the men who came to discuss business over cognac and cigars.
Sometimes I remembered that waterlogged book when I moved through Chicago, with all the bits and fragments of other eras, other lives, stitched here, there, everywhere—a patched-up monster shambling along.
Her whole arm, in fact, was made of gold. And not just any kind of gold, a malleable sort of gold that let her move the arm, wiggle the fingers—the sort of gold that gleamed brighter than any sun.
Outside the greenhouse, the world was just waking up, green buds just forming on the trees. Inside the greenhouse, however, was riotous with tulips and daffodils.