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Much Ado About Nothing: Act 4

Tired of their constant bickering, Beatrice and Benedick's friends hatch a plan to get the two to fall in love. Learn these words from Shakespeare's comedy about fidelity and deception. Read the full text here.

Here are links to our lists for the play: Act 1, Act 2, Act 3, Act 4, Act 5
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Full list of words from this list:

  1. impediment
    something immaterial that interferes with action or progress
    If either of you know any inward impediment why you should not be conjoined, I charge you on your souls to utter it.
  2. interjection
    an abrupt emphatic exclamation expressing emotion
    How now, interjections? Why, then, some be of laughing, as ah, ha, he!
  3. render
    give up someone or something to another
    CLAUDIO: And what have I to give you back whose worth
    May counterpoise this rich and precious gift?
    PRINCE: Nothing, unless you render her again.
  4. semblance
    the outward or apparent appearance or form of something
    She's but the sign and semblance of her honor.
  5. vanquish
    defeat in a competition, race, or conflict
    Dear my lord, if you in your own proof
    Have vanquished the resistance of her youth
  6. extenuate
    lessen or to try to lessen the seriousness or degree of
    I know what you would say: if I have known her,
    You will say she did embrace me as a husband,
    And so extenuate the forehand sin.
  7. bashful
    self-consciously timid
    I never tempted her with word too large,
    But, as a brother to his sister, showed
    Bashful sincerity and comely love.
  8. comely
    according with custom or propriety
    I never tempted her with word too large,
    But, as a brother to his sister, showed
    Bashful sincerity and comely love.
  9. beset
    assail or attack on all sides
    O, God defend me! How am I beset!
    The tone of Hero's words is painful, because her groom, her father, the Prince, and his brother are all questioning her honor. But there could be a humorous visual pun on beset which also means "decorate or cover lavishly, as with gems." Hero says these lines in a wedding dress that was earlier described as being worth more than a duchess's gown that is "lac'd with silver, set with pearls."
  10. vile
    morally reprehensible
    Upon mine honor,
    Myself, my brother, and this grievèd count
    Did see her, hear her, at that hour last night
    Talk with a ruffian at her chamber window,
    Who hath indeed, most like a liberal villain,
    Confessed the vile encounters they have had
    A thousand times in secret.
  11. fare
    proceed, get along, or succeed
    But fare thee well, most foul, most fair.
  12. impiety
    unrighteousness by virtue of lacking respect for a god
    Farewell,
    Thou pure impiety and impious purity!
  13. smother
    conceal or hide
    Come, let us go. These things, come thus to light,
    Smother her spirits up.
  14. reproach
    a mild rebuke or criticism
    Do not live, Hero, do not ope thine eyes,
    For, did I think thou wouldst not quickly die,
    Thought I thy spirits were stronger than thy shames,
    Myself would, on the rearward of reproaches,
    Strike at thy life.
  15. chide
    scold or reprimand severely or angrily
    Grieved I I had but one?
    Chid I for that at frugal Nature’s frame?
    O, one too much by thee! Why had I one?
    Why ever wast thou lovely in my eyes?
  16. frugal
    avoiding waste
    Grieved I I had but one?
    Chid I for that at frugal Nature’s frame?
    O, one too much by thee! Why had I one?
    Why ever wast thou lovely in my eyes?
  17. besmirch
    smear so as to make dirty or stained
    Why had I not with charitable hand
    Took up a beggar’s issue at my gates,
    Who, smirchèd thus, and mired with infamy,
    I might have said “No part of it is mine;
    This shame derives itself from unknown loins”?
  18. mired
    entangled or hindered
    Why had I not with charitable hand
    Took up a beggar’s issue at my gates,
    Who, smirchèd thus, and mired with infamy,
    I might have said “No part of it is mine;
    This shame derives itself from unknown loins”?
  19. infamy
    a state of extreme dishonor
    Why had I not with charitable hand
    Took up a beggar’s issue at my gates,
    Who, smirchèd thus, and mired with infamy,
    I might have said “No part of it is mine;
    This shame derives itself from unknown loins”?
    Leonato makes infamy seem more concrete with the words smirch and mire. He also develops the infamy by 1) assuming that bad blood leads to dishonorable acts ("Could she here deny the story that is printed in her blood?"); 2) connecting his daughter's dishonor to himself; 3) wishing that Hero were not of his blood.
  20. belie
    represent falsely
    O, on my soul, my cousin is belied!
  21. apparition
    an act of appearing or becoming visible unexpectedly
    I have marked
    A thousand blushing apparitions
    To start into her face, a thousand innocent shames
    In angel whiteness beat away those blushes,
    And in her eye there hath appeared a fire
    To burn the errors that these princes hold
    Against her maiden truth.
    The more common definition of "a ghostly appearing figure" is also suggested here: after Claudio says his farewell and Leonato asks for a dagger, Hero faints. Many assume she has died, and the Friar comes up with a plan in which she becomes an apparition.
  22. tenor
    the general meaning or substance of an utterance
    Call me a fool,
    Trust not my reading nor my observations,
    Which with experimental seal doth warrant
    The tenor of my book; trust not my age,
    My reverence, calling, nor divinity,
    If this sweet lady lie not guiltless here
    Under some biting error.
  23. perjury
    criminal offense of making false statements under oath
    Thou seest that all the grace that she hath left
    Is that she will not add to her damnation
    A sin of perjury.
  24. bent
    a relatively permanent inclination to react in a certain way
    Two of them have the very bent of honor,
    And if their wisdoms be misled in this,
    The practice of it lives in John the Bastard,
    Whose spirits toil in frame of villainies.
  25. toil
    work hard
    Two of them have the very bent of honor,
    And if their wisdoms be misled in this,
    The practice of it lives in John the Bastard,
    Whose spirits toil in frame of villainies.
  26. villainy
    a criminal or vicious act
    Two of them have the very bent of honor,
    And if their wisdoms be misled in this,
    The practice of it lives in John the Bastard,
    Whose spirits toil in frame of villainies.
  27. reave
    steal goods; take as spoils
    Time hath not yet so dried this blood of mine,
    Nor age so eat up my invention,
    Nor fortune made such havoc of my means,
    Nor my bad life reft me so much of friends,
    But they shall find, awaked in such a kind,
    Both strength of limb and policy of mind,
    Ability in means and choice of friends,
    To quit me of them throughly.
  28. ostentation
    pretentious or showy or vulgar display
    Your daughter here the princes left for dead.
    Let her awhile be secretly kept in,
    And publish it that she is dead indeed.
    Maintain a mourning ostentation,
    And on your family’s old monument
    Hang mournful epitaphs and do all rites
    That appertain unto a burial.
  29. epitaph
    an inscription in memory of a buried person
    Your daughter here the princes left for dead.
    Let her awhile be secretly kept in,
    And publish it that she is dead indeed.
    Maintain a mourning ostentation,
    And on your family’s old monument
    Hang mournful epitaphs and do all rites
    That appertain unto a burial.
  30. rite
    any customary observance or practice
    Your daughter here the princes left for dead.
    Let her awhile be secretly kept in,
    And publish it that she is dead indeed.
    Maintain a mourning ostentation,
    And on your family’s old monument
    Hang mournful epitaphs and do all rites
    That appertain unto a burial.
  31. appertain
    be a part or attribute of
    Your daughter here the princes left for dead.
    Let her awhile be secretly kept in,
    And publish it that she is dead indeed.
    Maintain a mourning ostentation,
    And on your family’s old monument
    Hang mournful epitaphs and do all rites
    That appertain unto a burial.
  32. travail
    use of physical or mental energy; hard work
    That is some good.
    But not for that dream I on this strange course,
    But on this travail look for greater birth.
  33. lamented
    mourned or grieved for
    She, dying, as it must be so maintained,
    Upon the instant that she was accused,
    Shall be lamented, pitied, and excused
    Of every hearer.
  34. reclusive
    withdrawn from society; seeking solitude
    And if it sort not well, you may conceal her,
    As best befits her wounded reputation,
    In some reclusive and religious life,
    Out of all eyes, tongues, minds, and injuries.
  35. tarry
    stay longer than you should
    BENEDICK: Tarry, sweet Beatrice.
    BEATRICE: I am gone, though I am here. There is no love in you. Nay, I pray you let me go.
  36. slander
    attack the good name and reputation of someone
    Is he not approved in the height a villain that hath slandered, scorned, dishonored my kinswoman?
  37. unmitigated
    not diminished or moderated in intensity or severity
    What, bear her in hand until they come to take hands, and then, with public accusation, uncovered slander, unmitigated rancor—O God, that I were a man! I would eat his heart in the marketplace.
    The structure of the sentence makes rancor seem like a synonym for accusation and slander. But by the time Beatrice gets to the word, she has already spat out other synonyms, including scorn and dishonor. "Unmitigated rancor" ("deep and bitter anger, ill will, resentment") is used by Beatrice to describe Claudio's behavior, but the audience sees that it actually describes her feelings about the injustice done to her cousin, which makes her want to kill Claudio.
  38. rancor
    a feeling of deep and bitter anger and ill-will
    What, bear her in hand until they come to take hands, and then, with public accusation, uncovered slander, unmitigated rancor—O God, that I were a man! I would eat his heart in the marketplace.
  39. malefactor
    someone who has committed a crime
    Which be the malefactors?
  40. redemption
    the act of delivering from sin or saving from evil
    O, villain! Thou wilt be condemned into everlasting redemption for this!
Created on Tue Apr 28 15:31:51 EDT 2015 (updated Tue Jun 21 12:22:18 EDT 2022)

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